Tag: refusal

365 Day Coming of Age Prompt Project/Theme 3 - School as a Laboratory

The Accounting of the Siblings – Day 30 & 31

Leave a comment

Prompt (2) – Being chosen. Being ignored.

Home of the Highlanders, MacArthur High School was the clearest definition of an oxymoron I had encountered up to that point in my life. Highlanders in the Great Plains with a motto of “People First, Excellence Always” in a transient town better known for pawn shops and titty bars…Jesus Almighty! The contradiction was not subtle in the least.

When I arrived, I was immediately chosen. I was chosen not for anything I had done or earned, but for the size of my body. I am certain the coach believed he was offering affirmation, maybe even opportunity. He likely told himself a story about coaching me up and bringing discipline that would later open doors. What he actually did was place around my neck a weight that lasted the entire year, and much longer if I am honest. His choice was not about me. It was a projection of how I could be useful to him and his team. Utility masquerading as care has a particular heaviness to it. It presses down slowly on a proud chest and insists on gratitude while doing so.

I would have preferred to be ignored rather than bullied for an entire year for refusing his offer. That refusal marked me. It made me a problem instead of a resource in that space. Being ignored, however, also carries its own kind of damage. It teaches a collective disappearance as a survival strategy. It rewards silence and compliance and requires no accounting.

Being chosen and being ignored feel like opposites on paper, but they share the same origin story. They are siblings of a parental unit with an “idea of parental compassion is just, you know, wacko!” Both being ignored or chosen single a person out. Both carry judgment. Both demand something without ever asking who someone is.

In school, I was chosen in ways I never requested, and I was ignored in ways I did not deserve. From lessons I learned at home, I tried to stay small and as invisible as possible, yet chosen for a task I was not prepared to bear. Staying small felt safer than being evaluated. Invisibility felt preferable to becoming a symbol or a cautionary tale. I wanted neither attention nor erasure. That tension followed me for years. Over time, that same tension gave me eyes to see it later. It taught me how to notice patterns and to recognize when power was pretending to be neutral. It also pushed me to try to name what I was seeing, first quietly, then more openly, even when doing so came at a cost.

The cult classic movie The Breakfast Club offers one of the clearest examples of these siblings with a shared back story that I know. It is a film I used in class for years as an educator, not because it is perfect, but because it is honest about hierarchy and the siblings. John Bender, labeled the “criminal,” delivers a line to the “princess,” Claire, that sounds cheeky but is filled with lived experience. He says, “You could not ignore me if you tried, sweets.” It lands as swagger, but the truth inside it is heavy. John Bender knows exactly where he stands. The popular kids can pretend he does not matter, but they cannot erase him from the room. He takes up space in that place because disappearing has already been assigned to him elsewhere.

Bender is not chosen. He is tolerated by those who are there. He is watched. He is remembered only as a problem. The popular kids do not forget him because he is insignificant. Forgetting him allows them to keep their version of themselves intact. Remembering him would require reckoning. I recognized that math immediately! I learned early how to make myself unignorable without ever being chosen. There is a difference. Being seen is not the same as being held. Being loud is not the same as being safe. Like Bender, I understood that if I did not exert some control over my visibility, someone else would decide whether I vanished or became a spectacle.

Bender’s anger is never random. It is precise. It is armor. It is a refusal to disappear quietly for people who benefit from not having to see him. Later in the movie, he says what has been true all along. “What do you care what I think, anyway? I do not even count. I could disappear forever and it would not make any difference. I may as well not even exist at this school.” That is not defiance. It is once again accounting. He understands the math of the place better than anyone else in the room.

Claire believes she counts so much that her absence would register as a crisis. However, John’s absence would register as relief. He is visible enough to be punished and invisible enough to be disposable. That is the difference he names when he turns on her. It is not cruelty. It is clarity. He is not asking to be liked. He is asking to be recognized as existing and to be seen as worthy.

That scene stayed with me because I could relate to each of the siblings leaving the same residue.

What I learned much later is that choosing myself had to come before anyone else did. Not loudly. Not as performance. Not as rebuttal. Just steadily and quietly. Choosing myself meant staying present without auditioning. It meant letting some rooms misunderstand me, letting some people leave, and sometimes me leaving the room. It meant trusting that I was worthy. There is a particular peace that comes with no longer arguing with the ledger. I no longer need to prove that I count. I do not need to disappear to survive or accept a role that requires self-erasure to belong. That choice does not erase the past, but it does loosen the siblings grip on me. The brothers can continue their work elsewhere. I have already chosen a different inheritance.

February 2026
M T W T F S S
 1
2345678
9101112131415
16171819202122
232425262728  
365 Day Coming of Age Prompt Project/Theme 3 - School as a Laboratory

Negative Space? – Day 29

Leave a comment

Prompt – Refusing to Fit In

In an earlier post, I wrote about wanting to belong rather than fit in. That distinction took time to learn. In junior high, fitting in would have been enough. I would have accepted it without hesitation. I would have traded pieces of myself to fit in. At that age, fitting in felt like survival, and survival always felt like success.

By high school, something shifted. After years of practice and a near-perfected “fuck off all the way to the summit of fuck off mountain” routine, isolation no longer felt like punishment. It felt like control. What once registered as exclusion began to register as choice. The same distance that had hurt me earlier now protected me. The difference was not the space itself, but who claimed it.

After the absolute horror of my tenth-grade year in Lawton, Oklahoma, I arrived in Nashua, New Hampshire with no interest in entering the social hierarchy of high school. Lawton had taught me that visibility often came with a price tag I could not pay.

Coming from Oklahoma to New England carried its own gentle violences. More than once, I was asked if I lived in a teepee or wore a feathered headdress. Each question was delivered as entitled humor, which made refusing to answer them even more satisfying. I guess, I was supposed to absorb the insult and provide comic relief in return. Fuck off!

So I withdrew. I did not explain myself. I did not correct anyone. I did not soften the moment for their benefit. I simply refused to participate in the shenanigans at all…until Ms. Peregrine taught me to channel my rage.

Ms. Peregrine’s art class gave me a sanctioned place to not fit in. It was a room that did not require compliance. Rage had somewhere to go. Antisocial behavior was both subject and medium. Silence was not interpreted as failure but as process.

That room held others like me, though we would not have named it that way at the time. Tom, Carol, Zach, and Keith all refused the social hierarchy differently than me. None of us were trying to be alike in our rage. That was the point. Our work shared no aesthetic beyond defiance. The refusal showed up in charcoal, paint, warped proportions, and negative space. What we had in common was not style but stance.

Art allowed me to say things I never had in words. It did not demand neat conclusions or a unified thread that ran through the entire piece. It allowed contradiction. It allowed ugliness. It allowed intensity without apology. For the first time, not fitting in did not feel like absence. It felt like presence, contained and visible. This was the beginning of belonging.

Looking back, I can see the quiet irony. What I thought was withdrawal was actually alignment. Refusal was not the end of connection. It was the beginning of something more honest. Art did not make me belong, but it gave me a place to stand without erasing myself. Sometimes that is enough. Sometimes that is everything.

February 2026
M T W T F S S
 1
2345678
9101112131415
16171819202122
232425262728  
365 Day Coming of Age Prompt Project/Theme 3 - School as a Laboratory

Typecast – Day 24

Leave a comment

Prompt – A teacher who misunderstood you.

Some misunderstandings arrive loudly. Others settle in quietly and take up residence for a year.

I have always hated sports, especially the kinds tethered to institutions that claim to build character while quietly reinforcing outdated power systems. Organized athletics, particularly in schools, often function as rehearsals for outdated hierarchal power structures where bodies are ranked, obedience is rewarded, and aggression is sanctified. It is an impressive trick, really, dressing control up as virtue and calling it tradition.

The move from Plattsburgh, New York to Lawton, Oklahoma happened without ceremony. My father retired and received his ceremony, but the rest of us got Lawton. Plattsburgh had been a place of friendships, small freedoms, and the early shaping of who I thought I might become. Lawton felt like the opposite of aspiration. It sat flat and exposed, surrounded by land that did not soften itself for anyone. The Wichita Mountains loomed nearby, ancient and tired, as if they were retires and had already delivered their lessons and were content to watch the rest unfold without comment.

Everything about Lawton felt temporary. Fort Sill, an Army installation, fed it and drained it in the same breath. People arrived. People left. The town understood itself as a stopover, and that knowledge seeped into its schools, its rhythms, its expectations.

I arrived at MacArthur High School for tenth grade already out of place. I came from upstate New York into a culture where teenagers watched CMT, drove lifted trucks, wore boots like uniforms, and treated football as a civic religion. The worship of the pigskin was not casual. It was culture and religion.

At orientation, I went to pick up my schedule and tour the school. A coach saw me before anyone else did. He did not ask my name. He did not ask what I liked, what I read, or what I had already learned to survive. He saw my size and filled in the rest of the story himself. In his mind, I was already useful.

He wanted me on the field, blocking for a quarterback whose future everyone already knew would peak early and flatten out into something like selling roofs. The coach spoke with certainty, the way people do when they believe their imagination outranks your agency. He framed it as opportunity. He framed it as belonging. What he meant was ownership.

Why would I not want this, he assumed. Why would a body like mine not belong to him.

For weeks, he pursued me in the hallways with passing comments and encouragement that felt far more like pressure. Compliments came preloaded with expectations. Interest came with conditions. When it finally became clear that I cared far more about books than drills, words than whistles, his attention shifted. Not away. Sideways.

He did not apologize for misreading me. He did not correct himself. He simply adjusted the narrative so that my refusal became a flaw instead of a choice.

He spoke to his team.

For the next year, I was punished for refusing a role I had never auditioned for. The same boys who sat in church pews on Sunday spent the week reminding me that difference was not tolerated and would be corrected through cruelty. They bullied with the confidence of the absolved. It was cruelty wrapped in ritual, consequence-free and self-righteous. Repentance on Sunday. Retribution on Monday. A very efficient system.

What hurt most was not the bullying itself. It was the loss of sanctuary. School had always been the place where I could breathe, where the chaos of my family receded into the background. That year, even school became unsafe. The teacher who misunderstood me did not see that he had taken more than a season from me. He took the one place where I had believed misunderstanding might be corrected through learning.

Years later, I understand that his failure was not personal. It was structural. He was trained to see bodies as tools, not stories. He mistook size for allegiance, silence for agreement, and refusal for betrayal. He never learned to ask who a student was before deciding what they were for.

I learned something else entirely. Refusing a script can cost comfort. Teachers, when they misunderstand, can leave marks as lasting as those left by the ones who see you clearly. And some confuse authority with insight and never notice the difference.

Some misunderstandings pass. Others teach you exactly how carefully you will guard your interior life from that day forward. Hut Hut Hike!

February 2026
M T W T F S S
 1
2345678
9101112131415
16171819202122
232425262728