Fine, and Other Lies We Learned – Day 14

Prompt – What was a secret your family carried?

Pink Floyd, Van Halen, Skid Row, Meat Loaf, U2, Ozzy Osbourne, and even Barry Manilow gave me heart and gave me a language I could own. Their songs taught me how to feel without apology and how to sit with emotion long before I had the words, the permission, or the safety to do so. Music became my private tutor. However, that education came at a cost.

At fifty-one, my ears feel at least twenty years older than the rest of me because concerts were never simply live shows. They were full-body immersion experiences built from stacked speakers, vibrating floors, and sound loud enough to register as belonging, even for the most awkward of us packed into the crowd. Like most people my age, I never protected my hearing because it never occurred to me that I was borrowing against something future me would need to navigate ordinary life.

Now conversations require intention and precision. If someone does not speak clearly, with attention to tone, volume, and rhythm, the words scatter before they reach me, and I find myself asking for repetition or filling the silence with a reflexive huh. I miss parts of sentences and occasionally whole meanings, and whispers are simply not accessible to me anymore. Still, I carry no regret because losing the ability to hear whispers forced me to notice something I had been living with all along.

Whispers had always been part of my life, long before the music ever stole them from me. Whispers and mumbled speech were the true secret my family carried, not one dramatic confession or a single locked drawer hiding a headline-worthy truth, but something far quieter and far more durable. The secret was cumulative, made of a thousand small omissions, a thousand almosts, and a thousand things that were never named but were felt every single day.

The secret lived in the spaces between words. It lived in dinners where everyone ate but no one spoke about what hurt. It lived in rules enforced without explanation and affection that arrived sideways through duty. It lived in silence that passed for peace and order that pretended to be safety. Nothing was hidden exactly. Everything was simply unattended.

Each person in my family carried their own version of the unspoken. Grief without language. Anger without permission. Fear disguised as discipline. We learned to move around one another carefully, like furniture in a dark room, memorizing where not to step. Over time, caution became habit, and habit hardened into our culture.

Those secrets were never malicious, at least not at first. They were inherited. They were learned through the belief that survival mattered more than honesty, that stability mattered more than intimacy, and that asking for help meant failure. The secrets survived because they felt normal, because they never announced themselves, and because they whispered. That was the most dangerous part. No one ever learned how to hear them.

No one named the absence. No one said that something essential was missing. We were fed, housed, dressed, and moved efficiently from place to place. On paper, we were fine. The secret hid inside that word until fine became the highest achievement and the finish line. I grew up believing that families simply endured one another, that love was proven by staying rather than speaking, that conflict was something to avoid rather than move through, and that feelings were personal inconveniences best handled alone. I did not know these were beliefs. I thought they were facts.

When the secret finally revealed itself, it did not arrive as scandal, but as grief. Grief for what none of us were taught. Grief for the conversations that never happened. Grief for the care that wanted to exist but never learned how to speak. Our secret was grief.

On the Edge of After – Day 11

Prompt – A time you wanted to be younger again.

The piano opened first with a simple and steady melody, like someone knocking softly on a door they were not sure was the correct one. It felt hesitant and determined at the same time, as if grief and hope agreed to share the same bench and the same keys. The singer did not arrive with rockstar swagger, but like a sinner entering a confessional. His voice carried a tremor that lived just behind the note, a thin crack that told the truth long before the lyrics did. There was a pleading quality there. Not begging. Just longing for a different outcome than the one that already felt written.

The drums slid in, not loud, not dramatic, simply present like a heartbeat that remembered it had work to do. The song continued to build without rushing. Each layer came in carefully, the guitar weaving around the piano like hands trying to help without making things worse. Nothing in the mix tried to show off. Everything served the ache.

How to Save a Life played on the radio on my way out of Japan as Holly drove me toward the airport in April of 2007. The world felt both too big and too small at the same time. With my bags packed and goodbyes said too quickly, it felt like a chapter was closing without the dignity of a final paragraph. I did not know then how much that song would follow me, like a ghost that refused to leave the room.

There was a part of me that wanted to be younger in that moment. Younger and untouched back in 1999. Younger and unaware back in 1999. I wanted the version of life where choices did not echo so loudly, where leaving did not feel like breaking something inside my own chest. That quiet piano line carried the weight of questions I did not have the courage to ask. What could have been different? What should have been done or not done? What part of myself was I leaving behind without realizing it? What I was carrying with me “home”?

The song did not offer comfort. It did not fix anything. It simply sat beside me, naming the ache I could not yet name. As the chorus rose, I realized that some moments mark a before and an after. In that moment, I wanted to be younger. I wanted to be back in 1999 when I arrived in Japan, when mistakes felt smaller and outcomes did not carry so much weight. I wanted to be less worn out by the world and more untouched by loss. It was not nostalgia. It was grief disguised as wishing.

When the chorus lifted, it felt like someone replaying a conversation in their mind, hoping that if the words repeated long enough, the past might loosen its grip. The music did not save anything. It stayed and witnessed the silence between notes to speak the parts that hurt the most. By the end, the repetition became prayer and punishment at once. If only. If only. If only. The piano never stopped. It kept moving forward, even when the voice sounded like it might not. That was the tender cruelty. Time kept going. The song kept going. The loss remained.

And still, something else lived there too. A quiet thread of hope, not loud, not heroic, not cinematic. Just the steady recognition that I was still here. That the ache did not erase the love of Japan and my time there had indeed been real. That leaving did not cancel the life that had been lived. Inside that ache, a stubborn spark refused to vanish. It was not redemption and not resolution. It was the fragile belief that naming the truth, even when it hurt, could keep me from turning numb.

Maybe growing older does not steal everything. Maybe it gives language to feelings that once lived unnamed in the dark, and maybe that language makes the weight lighter to carry. Not gone. Not fixed. Simply held with more honesty and a little more gentleness.

Where did I go wrong? I lost a friend
Somewhere along in the bitterness
And I would have stayed up with you all night
Had I known how to save a life

January 2026
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