Maps of Exposure – Day 26

Prompt – Where you sat, and what that said about you.

School desks were small. I was never small after the third grade. So, I sat wherever I thought I would be seen the least, both because my body had to be crammed into a tiny desk and because I wanted, metaphorically, to be small. It was not always the back. Sometimes teachers watched the those seats more closely than other seats, and the front row was never safe. The middle was impossible. The rule was simple. Find the fringe. That choice said everything about me in school.

Classrooms were maps of exposure. Desks were not neutral furniture. They were declarations. The front row signaled confidence or compliance. The back row suggested resistance or disappearance. Corners belonged to those who understood angles and sightlines, who learned early that bodies are measured long before words are heard.

I was fat. I do not mean that as confession or insult. I mean it as fact, the kind that preceded me into rooms and sat down before I did. Fatness was not something I carried. It was something assigned meaning by others. The room knew this before it knew my name.

So I chose seats strategically. I sat behind taller kids, near the wall, and close to exits. I learned how to fold myself inward, shoulders forward and spine curved just enough to suggest apology. I sat where teachers would scan past me while taking roll. I did not want to be called on, not because I did not know the answer, but because answers came with eyes, and eyes came with judgment.

The seating chart never asked why I sat where I did, but it enforced the order with precision. That structure was almost a relief because the cafeteria was different. Seating there required social currency. Tables formed tribes with unspoken rules. Athletes claimed space with backpacks and elbows. Beautiful people took up room without consequence. I sat where there was an empty chair that no one would miss if I disappeared, often with the other island-of-misfit-toy kids. Sometimes I chose solitude on purpose, but even that came with risk. You did not want to be that kid for too long.

Assemblies were worse. Bleachers turned bodies into sound. There was no hiding when the seat itself complained. Metal creaked and plastic bent. I learned to sit carefully, distributing weight and moving slowly, as if gentleness could erase mass. I learned to arrive early so no one would watch me navigate the row.

Teachers often said things like, sit anywhere or choose your own seat, as if freedom were evenly distributed. It was not.

Where I sat became where I learned to observe. From the edges, patterns reveal themselves. You notice who gets interrupted and who gets forgiven. You hear shifts in tone. You learn that authority prefers neat rows and quiet bodies, and that some children are allowed to sprawl into themselves while others must shrink to earn tolerance.

I became good at being small, not physically but socially. I learned to take up intellectual space while minimizing bodily presence. I learned to be useful, funny, compliant, insightful, anything that might justify the space my body occupied. Somewhere along the way, that strategy stopped being situational and started feeling like identity.

Years later, I still notice where I sit in meetings, restaurants, and waiting rooms. I still scan for sightlines and exits. I still choose chairs that feel forgiving. Healing has not erased this instinct. It has taught me to name it, to see the trade I was making. Safety over visibility. Shame over power. Survival over learning.

But hell, at least I was paying attention!

February 2026
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Rot, Silence & Salt – Day 1

Inevitably, after the assignment had been described with as much intention and story as possible, after a small spark of curiosity has finally begun to glow in the room amongst the students, a hand goes up – Liam. Jesus Almighty! The question lands like cold water in the crotch.

How many words. How many pages.

In that moment, the invitation to think, to feel, to wrestle with something real collapses into a set of measurements. Not a conversation. Not discovery. Just requirements. Every. Damn. Time.

Discovery through writing has never been about word counts. It has never been about minimum or maximum lengths. Hell, it is not even about grammar, syntax, or the cleanest turn of a phrase. Writing is the practice of staying. Writing is remaining in the chair while the world keeps spinning, choosing to study whatever the last swirl left behind. No prescribed number of words will ever manufacture meaning in a soul unwilling to face what hurts long enough to understand it.

Writing is salt in the wound. It burns. It draws out what has been hiding. The good. The bad. The unspeakable. It makes the environment less friendly for the slow rot of memory and the quiet infection of trauma. The work is to sift through the mess and keep asking the questions that insist on being asked. What happened? How did it unfold? Where did it mark the body, the heart, the mind? Who stood inside that moment, and how might I be slowly forming because of it.

The work is not pretty. The work is excavation. Writing is digging through memory, through failure, through rage, through grief, and asking questions that do not care about comfort nor wish to answer the question of  who left the scar or cut the bone.

Sometimes the words slam the door on repetition. Sometimes repetition of the same word is the only victory. A thin, trembling layer of a word laid across chaos to create order just long enough to hear a whisper calling from underneath the shit. No healing. No closure. Just enough clarity to understand a moment or a thousand without continuing to lie it is all going to be okay.

Sometimes the words keeps the moment from returning. Sometimes the words reveal that the moment will return again and again. But sometimes this means 200 words on the back of scratch paper, other times it means two years of journaling daily. Pages cannot measure that. Word counts cannot measure that. This is not the filling of space. This is the uncovering of something quieter, something that only surfaces when a I stay long enough for the truth to step forward.

And the part my students never could stomach and took me years to learn. The words and the story will not fix the past, repair the fracture, or reconcile anything that has been lost. The story simply refuses to look away like some fucked up carnival mirror bearing witness to the pain just to know it happened. There is a violence in that kind of honesty. A necessary violence. A ripping away of the polite fabric that keeps everyone smiling while they bleed out of sight. Writing does not draw the curtain, rather it pulls it down and throws it on the floor and forces the scene to stand there naked in the dark. And write enough, and a candle may be lit to see there needs to be more work done!  Because the page keeps its own ledger. The page knows when it is lied to. The page knows when the writer flinched and pulled back and dressed the truth up to make it digestible. The page waits. The page holds the line until the writer returns with something real enough to remove the fig leaves and know this is holy ground.

And so, Liam, I cannot tell you how many words it will require. I can tell you that if you do not write the alternative is rot. The alternative is silence, and silence is where the worst lies grow strong. Writing is the refusal to feed them. That is the assignment. That is the cost. That is the only way any of it matters.

But, let’s start with 500 words. Daily. Prompt in hand. And try to make a connection after every month and theme. Sound good?

February 2026
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