There Is a Light That Never Goes Out – Day 36

Prompt – ​​A friend who helped you see yourself more clearly.

Lots of firsts happen in high school. Some turn into great stories, while others stay quiet and make a person better without fanfare at all. Carol was one of those quiet firsts for me. She was a minor character in my storyline, but she helped me see myself more clearly and understand that I was a process inside a process.

We found each other in Ms. Peregrine’s art class, and then we kept finding each other outside of it. We went to coffee shops and talked the way early 90s kids talked when we thought the world might be ending and might also be remade in the same week. Our conversations had that grunge, almost avant garde seriousness that made everything feel both ridiculous and sacred. Music was always part of it because music was how we translated ourselves back then. The Smiths, The Psychedelic Furs, Nirvana, it all gave us language when we did not have enough of our own.

Carol drove an old Saab, and we would head out to Derry, New Hampshire, to a small coffee shop where time slowed down. For a while, life really did seem simple: coffee, cigarettes in the cold air outside, art talk, future talk, and the illusion that we could choose our next chapter without the past reaching up to claim us.

Right before graduation, we went for coffee the way we usually did, and I told her about the next move, the one that was supposed to mean freedom. College. It was another fresh start with another address, but this one would be mine. It was still another version of me being packed up and carried forward, but it was going to be away from them. Carol listened, then reached down and handed me a gift. It was a vase she had made.

It still sits in my house. Like me, it is not smooth. It is textured, marked by the touch of others, and it does not pretend to be untouched. Its surface is made of rings, each one visible, each one earned. I can see where the clay was pressed thinner, where it was pulled upward, where it almost failed and did not. The shape narrows, widens, and narrows again, and nothing about it feels accidental. It looks like a thing that has been worked. It looks like a thing that has been tested. It looks honest.

When Carol handed it to me, she did not talk about the beauty of the object. She talked about the process. She told me that each move, each experience, each hurt, each whatever, reduces us. The wheel pulls the clay down even as it spins it forward. Loss compresses and change thins because living costs something. But then, she said, another hand builds us back up. Another layer with another pass, and another choice. She spoke like she was offering a map, and I remember realizing she was not just talking about clay. She was talking about me, and she was doing it in a way that did not feel like pity. It felt like recognition.

What stays with me is the part that sounded almost too simple to be true. The height is not predetermined. The clay does not decide that. The wheel does not decide that. The hands do. I do.

That sentence landed in a place in me that had always assumed the opposite. I had lived as if the moves and endings and misunderstandings were the authors, as if the next chapter was always something that happened to me rather than something I shaped. I had learned how to adapt, how to read rooms, how to disappear when necessary, and how to be grateful for whatever remained. I had not learned how to claim the idea that I could still choose. Not in the shiny motivational way, but in the real way, the slow way, the hands on the wheel way.

Experience is experience. It is not good or bad in the clean moral categories people love to use to make life feel organized. It is formative. It shapes. The vase does not judge the pressure that made it narrower. It holds it. It carries it forward. The narrow places make the wider ones possible. The evidence of strain becomes part of the strength, not an argument against it.

Carol helped me see myself more clearly. She gave me an image that could hold complexity without turning it into judgment. She handed me a physical reminder that being shaped is not the same thing as being broken.

The vase sits there, quiet and unimpressed, holding its own history without apology. It reminds me that I can honor what shaped me without letting it name my limits. The clay remembers everything. And still, it holds.

February 2026
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Typecast – Day 24

Prompt – A teacher who misunderstood you.

Some misunderstandings arrive loudly. Others settle in quietly and take up residence for a year.

I have always hated sports, especially the kinds tethered to institutions that claim to build character while quietly reinforcing outdated power systems. Organized athletics, particularly in schools, often function as rehearsals for outdated hierarchal power structures where bodies are ranked, obedience is rewarded, and aggression is sanctified. It is an impressive trick, really, dressing control up as virtue and calling it tradition.

The move from Plattsburgh, New York to Lawton, Oklahoma happened without ceremony. My father retired and received his ceremony, but the rest of us got Lawton. Plattsburgh had been a place of friendships, small freedoms, and the early shaping of who I thought I might become. Lawton felt like the opposite of aspiration. It sat flat and exposed, surrounded by land that did not soften itself for anyone. The Wichita Mountains loomed nearby, ancient and tired, as if they were retires and had already delivered their lessons and were content to watch the rest unfold without comment.

Everything about Lawton felt temporary. Fort Sill, an Army installation, fed it and drained it in the same breath. People arrived. People left. The town understood itself as a stopover, and that knowledge seeped into its schools, its rhythms, its expectations.

I arrived at MacArthur High School for tenth grade already out of place. I came from upstate New York into a culture where teenagers watched CMT, drove lifted trucks, wore boots like uniforms, and treated football as a civic religion. The worship of the pigskin was not casual. It was culture and religion.

At orientation, I went to pick up my schedule and tour the school. A coach saw me before anyone else did. He did not ask my name. He did not ask what I liked, what I read, or what I had already learned to survive. He saw my size and filled in the rest of the story himself. In his mind, I was already useful.

He wanted me on the field, blocking for a quarterback whose future everyone already knew would peak early and flatten out into something like selling roofs. The coach spoke with certainty, the way people do when they believe their imagination outranks your agency. He framed it as opportunity. He framed it as belonging. What he meant was ownership.

Why would I not want this, he assumed. Why would a body like mine not belong to him.

For weeks, he pursued me in the hallways with passing comments and encouragement that felt far more like pressure. Compliments came preloaded with expectations. Interest came with conditions. When it finally became clear that I cared far more about books than drills, words than whistles, his attention shifted. Not away. Sideways.

He did not apologize for misreading me. He did not correct himself. He simply adjusted the narrative so that my refusal became a flaw instead of a choice.

He spoke to his team.

For the next year, I was punished for refusing a role I had never auditioned for. The same boys who sat in church pews on Sunday spent the week reminding me that difference was not tolerated and would be corrected through cruelty. They bullied with the confidence of the absolved. It was cruelty wrapped in ritual, consequence-free and self-righteous. Repentance on Sunday. Retribution on Monday. A very efficient system.

What hurt most was not the bullying itself. It was the loss of sanctuary. School had always been the place where I could breathe, where the chaos of my family receded into the background. That year, even school became unsafe. The teacher who misunderstood me did not see that he had taken more than a season from me. He took the one place where I had believed misunderstanding might be corrected through learning.

Years later, I understand that his failure was not personal. It was structural. He was trained to see bodies as tools, not stories. He mistook size for allegiance, silence for agreement, and refusal for betrayal. He never learned to ask who a student was before deciding what they were for.

I learned something else entirely. Refusing a script can cost comfort. Teachers, when they misunderstand, can leave marks as lasting as those left by the ones who see you clearly. And some confuse authority with insight and never notice the difference.

Some misunderstandings pass. Others teach you exactly how carefully you will guard your interior life from that day forward. Hut Hut Hike!

February 2026
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