Prompt – Refusing to Fit In
In an earlier post, I wrote about wanting to belong rather than fit in. That distinction took time to learn. In junior high, fitting in would have been enough. I would have accepted it without hesitation. I would have traded pieces of myself to fit in. At that age, fitting in felt like survival, and survival always felt like success.
By high school, something shifted. After years of practice and a near-perfected “fuck off all the way to the summit of fuck off mountain” routine, isolation no longer felt like punishment. It felt like control. What once registered as exclusion began to register as choice. The same distance that had hurt me earlier now protected me. The difference was not the space itself, but who claimed it.
After the absolute horror of my tenth-grade year in Lawton, Oklahoma, I arrived in Nashua, New Hampshire with no interest in entering the social hierarchy of high school. Lawton had taught me that visibility often came with a price tag I could not pay.
Coming from Oklahoma to New England carried its own gentle violences. More than once, I was asked if I lived in a teepee or wore a feathered headdress. Each question was delivered as entitled humor, which made refusing to answer them even more satisfying. I guess, I was supposed to absorb the insult and provide comic relief in return. Fuck off!
So I withdrew. I did not explain myself. I did not correct anyone. I did not soften the moment for their benefit. I simply refused to participate in the shenanigans at all…until Ms. Peregrine taught me to channel my rage.
Ms. Peregrine’s art class gave me a sanctioned place to not fit in. It was a room that did not require compliance. Rage had somewhere to go. Antisocial behavior was both subject and medium. Silence was not interpreted as failure but as process.
That room held others like me, though we would not have named it that way at the time. Tom, Carol, Zach, and Keith all refused the social hierarchy differently than me. None of us were trying to be alike in our rage. That was the point. Our work shared no aesthetic beyond defiance. The refusal showed up in charcoal, paint, warped proportions, and negative space. What we had in common was not style but stance.
Art allowed me to say things I never had in words. It did not demand neat conclusions or a unified thread that ran through the entire piece. It allowed contradiction. It allowed ugliness. It allowed intensity without apology. For the first time, not fitting in did not feel like absence. It felt like presence, contained and visible. This was the beginning of belonging.
Looking back, I can see the quiet irony. What I thought was withdrawal was actually alignment. Refusal was not the end of connection. It was the beginning of something more honest. Art did not make me belong, but it gave me a place to stand without erasing myself. Sometimes that is enough. Sometimes that is everything.
Muddled Soma 